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MARIA-CHRISTINA OLIVERAS

Wesleyan University Theater Dept. 

275 Washington Terrace

Middletown, CT

Phone: 347-489-8242 

moliveras@wesleyan.edu



1. EDUCATION


Academic


M.F.A. in Acting, National Theatre Conservatory, 2007

B.A. in Theater Studies with Honors, Yale University, 2001


Professional


Certificates:

Level I: Intimacy Coordination, IDC, 2023

National Alliance of Acting Teachers Development Program, 2018

National Yoga Alliance, Yogaworks (200-hour teacher training), 2011

New York Shakespeare Festival’s Shakespeare Lab, 2004


Master Acting Classes:

Ron Van Lieu, Chekhov & Tennessee Williams Scene Study, The Actors’ Center, 2021-Present

Patrick Page, Shakespeare, The Actors’ Center, 2024

Peter Francis James, Shakespeare, The Actors’ Center, 2021


Audition Technique Intensives:

Ted Sluberski, The Actors’ Center, 2024

Marcia DeBonis, The Actors’ Center, 2022-2023

Erica Jensen, The Actors’ Center, 2021


Voice/Body:

The Lucid Body with Fay Simpson, 2020-Present 

Movement with Raja Feather Kelly, 2024

Feldenkrais with Sita Mani, 2023

Singing with Matt Farnsworth, 2013-Present

Singing with Marishka Wiezerbizci, 2022-Present

Physical Theater with Will Davis, The Actors’ Center, 2022

Movement with Dawn Saito, The Actors’ Center, 2021

Michael Chekhov Acting Technique with Joanna Merlin, 2019


Clown Workshops:

Clown with Chris Bayes, The Actors’ Center, 2021

Clown with Jane Nichols, The Actors’ Center, 2020


On-Camera Intensives:

On-Camera Acting with Welker White, The Moving Frame, 2022-2023

On-Camera Acting with Bob Krakower, 2022

On-Camera Acting with Heidi Marshall, 2021


Writing Workshops:

Playwriting with Jaclyn Backhaus, The Actors’ Center, 2023

Screenwriting with Darcy Fowler, 2023

Playwriting with David Henry Hwang, The Actors’ Center, 2022

Playwriting with Migdalia Cruz, The Actors’ Center, 2021

Solo Writing, Seth Barrish, The Barrow Group, 2021


Languages


English, Spanish, All Dialects (IPA)



2. APPOINTMENTS


Academic


Assistant Professor of Theater, Wesleyan University, 2019-Present


Visiting Assistant Professor of Theater, Yale University, 2020-2021


Adjunct Professor of Acting, Fordham University at Lincoln Center, 2014 –2019


Lecturer, Yale University, 2013


Lecturer, University of Colorado-Boulder, 2007


Professional


Founder/Master Acting Teacher, inspīra Studios, NYC, 2019-Present

Acting Teacher, Broadway Workshop, NYC, 2018-Present

Acting Teacher, Stella Adler Conservatory, NYC, 2015-2019

Acting Teacher, Primary Stages, NYC, 2016

Drama Teacher, Denver Center Theater Academy, 2004-2007

Teaching Artist, Shakespeare in the Boroughs-The Public Theater, 2004

Drama Teacher, Children’s Aid Society, 2003-2005

Drama Teacher, Children’s Aid Society Wagon Road Camp, 2003


3. ARTISTIC ACTIVITY AND SCHOLARSHIP


3.1 Theater Productions (2019-Present)


Full Acting Resume with previous credits available here

Professional Stage Credits, Bio, News & More Broadway World, 2001-Present

Professional Stage Credits: Playbill, 2001-Present

IBDB, Broadway Credits, 2001-Present


Broadway: Between Riverside and Crazy

Performed the role of Church Lady on Broadway in the Pulitzer Prize-winner and Tony-nominated play, Between Riverside and Crazy by Stephen Adly Guirgis, directed by Austin Pendleton, starring Stephen McKinley Henderson, Helen Hayes Theater NYC, NY, January-February 2023


Broadway National Tour: Hadestown

Performed the role of Persephone in the Broadway National Tour of  Hadestown, winner of 8 Tony awards, including Best Musical, created by Grammy Award winner, Anais Mitchell, directed by Tony Award winner, Rachel Chavkin. Toured numerous cities in U.S. and Canada, including Toronto, Chicago, Houston, San Francisco, Ottawa, St. Louis, Houston, Washington, D.C., Louisville, Cincinnati, San Jose and Little Rock, September 2022-October 2022; April-September 2023


Off-Broadway: Cymbeline

Performed the roles of Belarius and Queen in Cymbeline by William Shakespeare, translated by 

Andrea Thome and directed by Stephen Brown-Fried.  A modern-verse, all-Asian, all-femme production by NAATCO, the National Asian American Theater Company in partnership with Play on Shakespeare at Classic Stage, NYC, NY, December 2024-February 2025


Off-Broadway World Premiere: A Woman Among Women

Performed the role of Tina in A Woman Among Women by Julia May Jonas, directed by Sarah Hughes and with music and music direction by Brian Cavanagh-Strong.  A world premiere and co-production with New Georges and the Bushwick Starr, NYC, NY, September-November 2024


Regional World Premiere: Kiss My Aztec!

Performed the role of Tolima in Kiss My Aztec! written by Tony Award winners, John Leguizamo and Tony Taccone, music and lyrics by Benjamin Velez and David Kamp, directed by Tony Taccone.  A world premiere co-production performed at the following theaters:

Berkeley Rep, Berkeley, CA, June-July 2019

La Jolla Playhouse, San Diego, CA, August-September 2019

Hartford Stage, Hartford, CT, June-July 2022


Regional/International World Premiere: Parable of the Sower

Performed the role of Emery Solis in acclaimed activist and singer, Bernice Johnson Reagon and  Toshi Reagon’s opera adaptation of Octavia Butler’s Parable of the Sower, directed by Eric Ting.  Performances at the following venues:

The Public Theater’s Under the Radar Festival, October 2019

UCLA, January 2020

UNC, September 2019

NYU Abu Dhabi, September 2020

Apollo Theater, August 2019



3.2 Workshops and Readings: New Plays and Musicals


Actor in developmental workshop a new musical, That Girl by Ari Afsar and Rehana Lew Mirza at the 2025 National Music Theater Conference Eugene O’Neill Theater Center, Waterford, CT, July 2025


Actor in developmental workshop of a new musical, Telo by Julián Mesri, directed by Rebecca Martínez, Signature Theater, NYC, NY, June 2025


Actor in developmental workshop of a new play, Heart of Parasite by Minna Lee, directed by Francesca Sabel, Pipeline Theatre Company, NYC, NY, May 2025


Actor in developmental workshop of a new musical, Weirdo by Aaron Gonzalez, Brian Quijada, and John Leguizamo, directed by Aram Rappaport, New York Theatre Workshop, NYC, NY, May 2025


Actor in developmental workshop of a new play, The Kit: Made by Martha by Jeanne Dorsey, directed by Jackson Gay. New Georges, NYC, NY, April 2025


Actor in developmental workshop of a new play, my utopias, by Jay Stull, directed by Jillian Jetton, La MaMa Galleria,, NYC, NY, March 2025


Actor in developmental workshop of a new musical, Oscar at the Crown: The Distopian Dance Musical, by Mark Mauriello and Andrew Barrett Cox, directed by Shira Milikowsky.  The Neon Coven, NYC, NY, March 2025 


Actor in reading of I Don’t Believe in Fairies by Elizabeth Narciso, directed by John Gould Rubin. LAByrinth Theater Company Barn Series, NYC, NY, February 2025


Actor in reading of The Protege by Lynn Green starring Carla Gugino, directed by Tony Award winner, Lonny Price, NYC, NY,  December 2024


Actor in developmental workshop of a new political satire, Lifestyle, by Oscar award winning filmmaker, Adam McKay, directed by Andrew Scoville, NYC, NY, December 2024


Actor//Singer in Papermill Playhouse’s developmental workshop of How to Write Dirty Books by Rachel Shukert, directed by Tony-Award winner, Moritz Von Stupenagel,  NYC, NY, October 2024


Actor in reading of Telo, a new musical by Julián Mesri, directed by Rebecca Martinez, Signature Theater, NYC, NY, October 2024


Actor in the LAByrinth Intensive reading of I Don’t Believe In Fairies by Elizabeth Narciso, NYC, NY, August 2024


Actor in the Eugene O’Neill National Playwrights Conference workshop and reading of Madre de Dios by Marvin González De León, directed by Laurie Woollery, Waterford, CT, July 2024


Actor in reading of Anton Dudley’s new play Eloise Scrogg Gets Stuck In Central Park. The Playwright’s Realm, NYC, NY,  June 2024


Actor in Checkmark Productions’ Summer Reading Series workshop of Castillos de Plástico by La Daniella, directed by Cristina Angeles, New York Theatre Workshop, NYC, NY, June 2024


Actor in reading of acclaimed playwright Migdalia Cruz’s play Never Moscow, directed by Lisa Rothe, produced by The Tent Theater Company and The Sol Project, NYC, NY, June 2024


Actor in developmental workshop of Venturous Fellow Jessica Huang’s new play, Mother of Exiles directed by Artistic Director Pirronne Yousefzadeh at Playwrights’ Center, Minneapolis, MN, May 2024


Actor in reading of a new play, Our Hood by Tony Award winner, John Leguizamo, to fundraise for educational and artistic programming at Center at West Park, NYC, NY, May 2024


Actor in reading of The Kit: Made by Martha by Jeanne Dorsey, directed by Jackson Gay, Bechdel Project, NYC, NY, April 2024


Actor in developmental reading of a new play, The Other Americans by John Leguizamo, NYC, NY, March 2024


Actor in developmental reading of a new play, Folies A Deux by Lyn Greene, directed by Lonnie Price, NYC, NY, March 2024


Actor in developmental reading of a new musical, The District by Julie Benko, directed by Brandon Dirden, NYC, NY, March 2024


Actor/Singer in developmental workshop of Como Correr, a new hip-pop musical by Nico Raimont, Montclair State University, Montclair, NJ.  January 2024


Actor in developmental reading of cunnicularii a new play by Sophie McIntosh, directed by Nina Goodhart. Good Apples Collective, NYC, NY, November 2023


Actor in reading of an excerpt from Mass Extinction! by Jessica Huang, directed by Caitlin Sullivan produced by Manhattan Theatre Club, in partnership with the Sloan Foundation and the American Museum of Natural History, at the AMNH, NYC, NY, November 2023


Actor/Singer in reading of Kiss My Aztec! by Tony Award winners, John Leguizamo and Tony Taccone, music and lyrics by Ben Velez and David Kamp, NYC, NY, October 2023


Actor in developmental reading of a new play, The Matts by John Leguizamo, directed by Ruben Santiago-Hudson, The Public Theater, NYC, NY, April 2023


Actor in reading of a new play, Antigones by Anna Ziegler, directed by Tyne Rafaeli, Keen Company, NYC, NY, December 2022


Actor in reading of a new play, Things With Friends, written and directed by Kristoffer Diaz, Keen Company, NYC, NY, December 2022


Actor/Singer in Just in Time, a new musical about Bobby Darin, written by Tony Award winner John Logan, directed by Tony Award winner Alex Timbers and starring Tony nominated actor Jonathan Groff. NYC, NY, January 2022


Actor in reading of Rebecca Martinez & Julián Mesri's Mobile Unit musical adaptation of Shakespeare's The Comedy of Errors, directed by Rebecca Martinez, with music by Julián Mesri. NYC, NY, August-September 2022


Actor/Concevier in developmental reading of The Case of The Saint, The Singer, and The Supreme, co-written by Migdalia Cruz and Maria-Christina Oliveras. NYC, NY, August 2022


Actor in workshop of a new play, Reggie Hoops by Kristoffer Diaz, directed by Chanel Bragg. Portland Center Stage, NYC, NY, August 2022


Actor in reading of The Naughtiest Girl by Chris Cragin-Day, directed by Michael Parva, Vineyard Theater, NYC, NY, August 2022


Actor in reading of a new play, Shared Sentences by Emily Joy Weiner, directed by Lisa Rothe, NYC, NY, July 2022


Actor in reading of Sasha Ginger Hank by Mariana Carreño, directed by Daniel Jaquez, LAByrinth’s 22nd annual Barn Series, NYC, NY, April 2022


Actor/Singer in workshop of a new musical, Dragon Baby, part III of a trilogy of plays, written by SaraPorkalob, directed by Andrew Russell and music by Brian Quijada, American Repertory Theatre/A.R.T., NYC, NY, March 2022


Actor/Singer in developmental reading of a musical adaptation of Prelude to a Kiss, book by Craig Lucas, music by Dan Messe, lyrics by Sean Haggerty, directed by David Ivers, South Coast Repertory Theater Commission, NYC, NY,  November 2021


Actor in developmental screenplay reading of A Song for the Recycled Orchestra, written and directed by Oscar nominee, Jose Rivera, NYC, NY,  October 2021


Actor in developmental reading of a new screenplay, Don’t Ask Alice by Liz Narciso, directed by Michelle Bossy, NYC, NY,  November 2021


Actor/Singer in developmental workshop of a new Broadway bound musical, Night at the Museum with music by Alan Menken, book by Shawn Levy and Bob Martin, lyrics by Michael Mahler and Alan Schmuckler, directed by Donna Fiore, Warner Bros., NYC, NY November 2021


Actor in developmental workshop of Man Cave by John Caswell, Jr., directed by Taylor Reynolds, Page 73 Productions, NYC, NY,  October 2021


Actor in developmental reading of a new musical by Lynn Rosen, Pia Wilson and Katie Gamelli, music by Grammy Award winner Paula Cole, directed by Giovanna Sardelli, TheaterWorks Silicon Valley via Zoom.  July 2022


Actor/Singer in reading of a new musical, We Won’t Sleep by America's most produced playwright Lauren M. Gunderson and singer and songwriter Ari Afsar, directed by Erin Ortman, starring Tony Award winner Karen Olivo. Signature Theater, NYC, NY, December 2021


Actor in Guild Hall’s Wendy Wasserstein Festival, playing the title role of Heidi in The Heidi Chronicles, directed by Jackson Gay.  East Hampton, NY,  June 2021


Actor in world premiere Zoom production of BadAss GalBoss Power Hour by Wall Street Journal “Playwright of the Year 2017,” Kate Hammill, directed by Tony Award winner, Moritz vonSteupenagel, Primary Stages.  Sept-October 2021


Actor in Zoom reading of Content by Daniel Stagger directed by Patricia McGregor, Second Stage, NYC, NY, May 2021


Actor for a Zoom reading of [...] in the time of Corona, Fault Line Theatre Company, May 2021


Actor/Singer in 24-Hour Viral Musicals performing an original song and monologue by Morgan Siobhan Green and celebrated songwriter Lauren Pritchard, 24 Hour Plays.  May 2021


Actor in the Zoom reading of Football play by Pulitzer-Prize finalist, Kristoffer Diaz, with the American Blues Theater, February 2021


Actor in developmental workshop Zoom reading of an Untitled Agatha Christie Project by Heidi Armbruster, Hudson Valley Shakespeare Festival, November 2020


Actor in Zoom reading of Bad Daughter with Tony-Award winning Wesleyan alum, Frank Wood, and Tony Award nominee Mary Testa, April 2020


Actor in Zoom reading of Frida and Remedios by Sandra Daley, The Actors Center, April 2020


Actor in Zoom reading of Concrete Jungle,  a new musical by Bobby Cronin directed by Scott Ebersold, March 2020


Actor in Zoom reading of Never Moscow by Migdalia Cruz, directed by Lisa Rothe, Kansas City Rep, March 2020


Actor in Playbill’s Stars in the House Zoom reading of Stephen Sach’s Bakersfield Mist with award-winning actors, Tony Shaloub and Brooke Adams, March 2020


Actor in a pre-Broadway reading of Betty’s Summer Vacation by Christopher Durang, directed by Tony Award Winner, Moritz Von Stuelpnagel, NYC, NY, February 2020


Actor in a reading of a new musical commission by Anton Dudley for Virginia Opera, NYC, NY,  January 2020


Actor in a workshop presentation of Blocked, a new musical by Ben Wexler, Theaterworks/USA, NYC, NY, January 2020


Actor in a developmental workshop of Fluff by Sigrid Gilmer, Clubbed Thumb, NYC, NYC. January 2020


Actor/Singer in developmental workshop of a new musical,  Fountain of You by Faye Ciao, New Georges,  NYC, NY, December 2019


3.3 Workshops and Readings: Classic Plays


Actor in The Jew of Malta by Christopher Marlowe directed by Jesse Berger, Red Bull Revelation Series. NYC, NY, March 2025


Actor in Goodbye, My Fancy by Fay Kanin, starring Maggie Siff  directed by Jess Chayes, Classic Stage Company Rediscovery Reading Series, NYC, NY, February 2025


Actor in Camino Real by Tennessee Williams directed by Austin Pendleton, La Femme Productions, NYC, NY, December 2024


Actor in The Beast of Hungary by Lope de Vega, directed by Nadia Guevara; Hispanic Golden Age, a multi-part initiative by Red Bull Theater and Diversifying The Classics | UCLA,  NYC, NY, September 2024


Actor in The Convent of Pleasure by Margaret Cavendish, directed by Kim Weild. Red Bull Theater Revelation Series, NYC, NY, March 2022


Actor in Love is the Greater Labyrinth, directed by Melia Bensussen, Artistic Director of Hartford Stage, produced by Red Bull, Repertorio Español, in collaboration with Diversifying the Classics | UCLA. NYC, NY, Sept-October 2021


3.4 Performances in Film/TV (since 2019)


Actor in table read of TV show, The Equalizer, starring and produced by Queen Latifah, airing on CBS, March 2024


Guest Star Actor as Detective Bea Johnson on Blue Bloods, airing on CBS,  January 2024


Voice Actor in the award-winning short film, Retreated, by David Blasher, directed by Julia Kots, October 2023 


Actor in award-winning short film, Matthew, Winner of Best Drama Short at the New Jersey Film Awards, awards at New York International Film Awards, Cannes World Film Festival, Oniros Film Festival, and Los Angeles Film Awards, June 2021


Recurring Guest Star Actor as Deputy Mayor Esme Reyes on NCIS: NOLA, currently airing on CBS.  Season 7, Episodes 4 and 9. Directed by Levar Burton, starring Scott Bakula, December-January 2020-21


Singer/Actor for animated short film, Old Country with award-winning composer, Benjamin Velez, December 2020


Singer in Music Documentary of Taylor Mac’s 24 Decade History of Popular Music, HBO Max, 2023.



3.5 Cabaret


Writer, Producer, Actor, Creator of an upcoming solo cabaret piece, On Saints and Sinners, at the acclaimed 54 Below Cabaret space, Spring 2026


Writer, Producer, Actor, Creator of an original solo cabaret piece, entitled The Glory of Love at the acclaimed 54 Below Cabaret space,  Music Directed by Andrea Grody (Broadway’s Tootsie and The Band’s Visit), May-August 2021


3.6 Voiceover


3.6.1 Demo Recordings

Singer for a Demo Recording of Never Enough, from a new musical by Anton Dudley, November 2019


3.6.2 Audio Play

Actor in the role of Ariel in Shakespeare’s The Tempest, opposite David Hargreaves as Prospero, produced by Shakespeare at Home, October 2020


3.6.3 Video Games

Voice Actor for Rockstar Games’ Grand Theft Auto, August 2024


3.7 Writer/Creator


Writer, Creator of Summertime, an adaptation of Picnic, by William Inge, Spring 2026


Writer, Creator of Sonia and Bernadette, in collaboration with acclaimed playwright Migdalia Cruz and Wesleyan student, Malaika Fernandes (‘23), Summer 2022


3.8 Original Cast Recordings


“Here Lies Love”

Music & Lyrics by David Byrne and Fat Boy Slim

Nonesuch Records

May 2014

Celebrate AMERICAN UTOPIA's Opening With a Look Back at HERE LIES LOVE!


“Pretty Filthy”

Music & Lyrics by Michael Friedman

Ghostlight Records

November 2016


“Amelie”

Music & Lyrics by Daniel Messe and Nathan Tysen

Warner Classics

May 2017


“The Abominables”

Music & Lyrics by Michael Friedman

Michael Friedman Legacy Project

Ghostlight Records

October 2019



4. INVITED MASTER CLASSES AND LECTURES


“The Art of the Monologue: A Boot Camp Intensive,” Broadway Workshop, 2024


“The Art of Auditioning,” Broadway Workshop, 2024


“Representation on the Stage: Re-Exploring Thornton Wilder’s Our Town in John

Leguizamo’s Our Hood,” The Center at West Park, 2024


“New Works’ Development and Collaboration,”  New York University Dramatic Writing 

Program, 2023


“Hard Work, Resilience and Manifestation," New York University Grad Acting Program, 

2023


“Girls Empowerment," Broadway Workshop, March 2023


“Storytelling Magic," Broadway Workshop, Summer 2022


“Sparking the Imagination," Broadway Workshop, Summer 2021


“Art and Activism," Harvard University, Spring 2021


Musical Theater Scene Study, Montclair State University, Winter 2020


“Finding Character," Broadway Workshop, 2016-2020


“Acting for the Camera: The Transition from Stage to Film," Kenyon University, Fall 2020


“The Actor Gets Started: Transitioning into the Professional World," Princeton University, 2018-2020


“Collaboration and New Work Development," New York University, 2019


“Art vs. Commerce," SUNY New Paltz, 2017-2019


“Auditioning for Musical Theater," Berkeley Rep School of Theater, 2015 & 2019


“The Actor Gets Started: A Primer for the first 6 months out of College," Yale University, 

Office of Career Services, 2015-2019


“Latinos in Theater," Yale University, La Casa Cultural, 2018


“A Career in the Arts," Educational Center for the Arts, 2018


“Acting as a Business," University of Iowa, 2016


5. REVIEWS AND PRESS


5.1 Interviews and Features


5.1.1 National Press 


Boop! Leads 2025 Drama Desk Award Nominations With 11 Nods Including Outstanding Musical; Read the Full List Here | Playbill 2025


Matthew Rauch, Andy Grotelueschen, and More to Star in THE JEW OF MALTA at Red Bull Theater 2025


Playbill Cast Announcement: All-Femme, Asian-American Revival of Cymbeline to Play Off-Broadway | Playbill 2025


TheaterMania Cast Announcement: New Georges Announces Its 2024-25 Season - TheaterMania.com 2024


ABC7 News Interview: Hadestown’s Maria-Christina Oliveras, ABC 7 News, 2023


Broadway World Feature: Words From The Wings: Maria-Christina Oliveras of BETWEEN RIVERSIDE AND CRAZY on Her Favorite Backstage Moments, and More! 2023


Ebony Magazine Interview: “Tony Award Nominee Stephen McKinley Henderson of The Rich Tapestry of ‘Between Riverside And Crazy’,” Ebony Magazine, 2023


Playbill Feature: Hadestown Actor Maria-Christina Oliveras Has Been to Hell and Back, 2023


Broadway World Interview: Maria-Christina Oliveras of HADESTOWN at The Orpheum Theatre & San Jose Center For The Performing Arts Is Thrilled to Return to the Bay Area, 2023


Broadway World Interview: Words From The Wings: Maria-Christina Oliveras of BETWEEN RIVERSIDE AND CRAZY on Her Favorite Backstage Moments, and More! 2023


Cast Announcements  2023

Maria-Christina Oliveras Joins the Cast of BETWEEN RIVERSIDE AND CRAZY

Maria-Christina Oliveras joins cast of ‘Between Riverside and Crazy’

Maria-Christina Oliveras joins 'Between Riverside and Crazy' Broadway cast | New York Theatre Guide


Tennessean Feature: 'Hadestown' brings heat, heartache and hope to Nashville 2022


NBC CT Live! Interview: Maria-Christina Oliveras on Kiss My Aztec 2022


Broadway World: Maria-Christina Oliveras Talks KISS MY AZTEC!, the Importance of LatinX Stories and Our World "Getting Browner" 2022


Broadway World Feature: People To Watch In Cabaret and Concert In 2022 


Broadway World: Maria-Christina Oliveras of THE GLORY OF LOVE at Feinstein's/54 Below August 6th 2021


Playbill Video Feature: Watch Broadway’s Maria-Christina Oliveras in the Return of Elevator Pitch 2021


The Interval: A Roundtable with Laurie Woolery and the Women of El Huracán at Yale Rep 2019


Broadway World Interview: Maria-Christina Oliveras Talks KISS MY AZTEC!, the Importance of LatinX Stories and Our World "Getting Browner" 2019



5.1.2 Wesleyan Press


Wesleyan in the News - May 2025


Wesleyan Connection:

 “Building Muscles of Empathy:” Oliveras on Teaching Acting, a Pre-Broadway Run at Hartford Stage, and Embodying Antiracism, 2022


Wesleyan Argus: 

“The Ground on Which We(s) Stand(s)” and Why We(s) Need(s) BIPOC Theater 


Wesleyan Connection:

The Second City Teaches Improvisation to Wesleyan students



5.2 Reviews


5.2.1 Cymbeline, NAATCO, January-February 2025


2025 Drama Desk Awards Nominations- The Full List, April 30, 2025

Nominated for Outstanding Featured Performance in a Play


‘Cymbeline’ Delights Off Broadway - New York Times, Feb. 1, 2025:

“the excellent Oliveras”


Cymbeline - The Front Row Center, Jan. 25, 2025

“Oliveras was a maddening tornado to reckon with as the Queen, a total powerhouse of a part”


Cymbeline - Off Off Online, Jan. 29, 2025:

“Oliveras inhabits the evil Queen with a swaggering, take-no-prisoners attitude.”


Cymbeline: Shakespeare Lite, More Rephrased Than Actually Done - New York Stage, Jan. 26, 2025:

“the delightful artist to savor is Maria-Christina Oliveras, who boldly depicts contrasting individuals. Oliveras adeptly changes soul, sex and vocal register to believably turn into old Belarius, a hearty laird of the woods.”


Theatre in Review: Cymbeline (NAATCO/Lynn F. Angelson Theatre) - Lighting & Sound America, Jan. 24, 2025

Maria-Christina Oliveras is an evil queen to remember; she is also authoritative as 

Belarius, who drives much of the plot in the second half.”


NAATCO’s modern verse version of CYMBELINE puts a feminist spin on the Bard’s rarely performed romance – Interludes, February 13. 2025

“But perhaps the finest performances come from Maria-Christina Oliveras, who has magnetic gravitas as both the villainous queen and Belarius — a retired woodsman turned loyal warrior…”


NAATCO’s all-femme, all-Asian Cymbeline aims to shake up a classic - INTO, January 23, 2025

“But far and away the best performance comes courtesy of Maria-Christina Oliveras, pulling double duty as both the murderous Queen and the woodsman Belarius. As the Queen, she’s a classically camp and fabulous villain, with a sharp wit and bold red lipstick to match. And as Belarius, she delivers this production’s most compelling monologue in the play’s final scene, showing a degree of emotional authenticity that, regrettably, is largely lacking elsewhere from this company.” 


5.2.2 A Woman Among Women, The Bushwick Starr, October-November 2024


A Reverse Angle on Arthur Miller in ‘A Woman Among Women’ - New York Times, Oct. 23, 2024  


A Woman Among Women at the Bushwick Starr - Exeunt Magazine NYC, Oct. 20, 2024

“You feel the long history between Cleo and Tina in Pelletier and Oliveras’ every exchange”


Worlds on the Brink: Walden and A Woman Among Women - Vulture, Nov. 7, 2024

“Maria-Christina Oliveras, sharp and dangerous”


A Woman Among Women Breaks in the New Bushwick Starr - TheaterMania.com, Oct. 19, 2024


A Woman Among Women - The New Yorker, Oct. 11, 2024


5.2.3 Hadestown National Tour, 2022-2023


HADESTOWN Proves You Can Live it Up on Top and Below in Stunning Toronto Production - Broadway World, Jul. 11, 2023

“Oliveras at first appears to be a fun-loving goddess of spring, but as she peels back her shell, she shows a struggling woman trying to cope. Her voice shines throughout, but her ability to emote and convey Persephone’s desire for love in the heavier emotional scenes of the second act is gripping.”


Hadestown at Mirvish Productions - Intermission Magazine, Jul. 8, 2023

“Maria-Christina Oliveras as Persephone and Hannah Whitley as Eurydice, too, are lovely foils of each other, endlessly watchable and nuanced in their development of tortured, hopeful women.”


Hadestown is hellishly good - So Sumi, Jul. 14, 2023

“The ride is still worth taking, especially with performers like… the strutting, sultry Oliveras”

 

Hadestown is a triumphant, timely retelling of an age-old myth - The Globe and Mail, Jul. 9, 2023

“Meanwhile, Oliveras’s Persephone, a classy lady in a verdant green gown, evokes such blues 

queens as Billie Holiday and Bessie Smith. As an embodiment of spring, Oliveras takes a little 

time to warm up, but by the second act she’s in full life-force mode, making a sympathetic plea 

on behalf of Orpheus to her callous husband.”


‘Hadestown’ at the National Theatre, MD Theatre Guide, Jun. 10, 2023

“The cast is brimming with vocal, dramatic, and comic talent… Persephone (Oliveras) is particularly charming in “Our Lady of the Underground,” a number that sees her making the best of her time in Hades by pouring drinks at a speakeasy.”


'Hadestown' spins a moving story of love, loss and hope - Fredericksburg, Jun. 7, 2023

“Maria–Christina Oliveras stars as Persephone, a force of nature, often with a drink in hand.”


Spring Has Come Again To The National Theatre - Ashley and Company, Jun. 8, 2023

“The heart and soul of this show is not Orpheus and Eurydice but the springtime deathly duo of Persephone and Hades. Their unlikely love affair has intrigued humans for eons. Oliveras and Quinn have a lot riding on their shoulders and like Graham are more than ready for it all. For her part, Oliveras is brash, gutsy, and frazzled. She nails the cheeky, drunken parts as well as the heartbreaking moments. The love Persephone has for Hades even after all these years is still very clear under the surface of the hurt she has experienced.”


HADESTOWN at National Theatre - Broadway World, Jun. 8, 2023

“Persephone (a lively Maria-Christina Oliveras)”


Mind-blowing and heart-stopping ‘Hadestown’ plays the National - DC Theater Arts, Jun. 9, 2023

“Oliveras’ Persephone is sultry and passionate, and the couple clash their egos and desires wonderfully.”


Head way down to Hadestown at Washington DC’s National Theatre – HOTCHKA, Jun. 7, 2023

“Maria-Christina Oliveras is Persephone, a benevolent god who brings everyone in the speakeasy food and wine … lots of wine. She also gets to really cut up in the Act II opening number ‘Our Lady of the Underground’, and she brings a lot of layers to the character, torn between her love of Hades and her love for the people above ground.”


'Hadestown' is a hell-raising good time - Spectrum News, May 3, 2023

“Audiences are really in for a treat from Oliveras. I was obsessed with her charisma, iridescent vocals and layered emotive performance. I was elated every time she took the stage — and she’s hard to miss. Her initial lime green dress matches her sunny personality. Oliveras is truly a bright spot on stage and a near flawless foil to Hades.”


HADESTOWN is Livin' It Up at Milwaukee's MARCUS CENTER - Broadway World, May 5, 2023

“Oliveras is straight-up fun to watch in her very party-girl take on the queen of the underworld. In brassy songs, she brings big personality to the stage, and in more-serious moments, the genuine beauty and strength of her voice shines.”


‘It’s a sad song, but we sing it anyway’: ‘Hadestown’ cast raises cup to the ‘world we dream about’ on opening night - The Arkansas Democrat-Gazette, May 25, 2023

“Played by Maria-Christina Oliveras, the wife of Hades is complicated and delusional, but a rock star at the same time.”


'Hadestown' PNC Broadway in Louisville review: enjoyable Road to Hell - Courier Journal, May 17, 2023

“Oliveras' Persephone, the goddess of the seasons, is perhaps the number one person I'd like to invite to a house party. She brings levity to the show, first in her lime green dress and maybe a little bit drunk behavior in Act I then to her borderline raunchy yet funny performance of "Our Lady of the Underground" in Act II. She's clearly a pros-pro, evident in her heartfelt plea to Hades in songs like "How Long?" and brings big talent to a stage already filled with it.”


It’s An Old Song (Broadway in Louisville) - Arts Louisville, May 18, 2023

“Most of the other characters, had directly flirty and fun relationships with the audience, especially Maria-Christina Oliveras’s endearing and outre Persephone.”


‘It’s a sad song, but we sing it anyway’: ‘Hadestown’ cast raises cup to the ‘world we dream about’ on opening night - The Arkansas Democrat-Gazette, May 25, 2023

“Played by Maria-Christina Oliveras, the wife of Hades is complicated and delusional, but a rock star at the same time.”


5.2.4 Between Riverside and Crazy 

Between Riverside and Crazy - TheaterScene.net, Feb. 1, 2023

“But it’s the introduction of a character in the second act, the enigmatic Church Lady (Maria-Christina Oliveras), who epiphanically propels Between Riverside and Crazy towards its forced conclusion… It’s an extraordinarily well-acted scene that Henderson and Oliveras build to a near show-stopping climax”


2ST’s Between Riverside and Crazy Rotates to Great Heights on Broadway – front mezz junkies, Feb. 2, 2023

“That is until one of those visits revitalizes him in one way, but throws him down in another, thanks to the miraculous visitation from this one particularly engaging Church Lady, played to the heavens by Maria-Christina Oliveras (Broadway’s Amélie).”


Stephen McKinley Henderson Gives The Performance of His Career in Between Riverside and Crazy - The Broadway Blog

“in one of the wackiest sex scenes on Broadway (shared with a churchgoer played with gusto by Maria-Christina Oliveras)”


Between Riverside and Crazy **** – theaterlife, Jan. 4, 2023

“Between Riverside and Crazy is filled with dramatic and comedic surprises and twists, like the vivid scene in which a visiting church woman (a terrific Maria-Christina Oliveras) manages to combine the highly sexual with the intensely spiritual in her ministration to Walter of God’s love.”


'Between Riverside and Crazy' a must-see - StageZine, Jan. 4, 2023

“Maria-Christina Oliveras as Church Lady gives a performance that has to be seen to be believed. It is outrageous in the most flattering of ways.”


Laughs and lies drive the Pulitzer Prize-winning dark comedy ‘Between Riverside and Crazy’ at Broadway’s The Hayes - DC Theater Arts, Jan. 4, 2023

“Maria-Christina Oliveras as the shockingly unholy Church Lady.”


5.2.5 “Kiss My Aztec!”, Hartford Stage, 2022


'Kiss My Aztec' at Hartford Stage: Great Fun, Music and Performances. Go! — Showriz, Jun. 16, 2022

“Maria-Christina Oliveras takes command in every scene.” 


John Leguizamo’s ‘Kiss My Aztec!’ goes overboard for a laugh at the Hartford Stage, Hartford Courant, Jun. 15, 2022

“There are some wonderful performers in the ensemble, like… the hysterical Maria-Christina Oliveras, who is on the theater faculty at Wesleyan University.”


KISS MY AZTEC! at Hartford Stage - Broadway World, Jun. 14, 2022

Maria Christina Oliveras (as Tolima)… powerhouse vocalists with unbelievable chops.”


5.2.6 “The Glory of Love


Maria-Christina Oliveras is Glorious in GLORY OF LOVE at Feinstein's/54 Below - Broadway World, Aug. 10, 2021

“Like any good storyteller, Maria-Christina knows how to make an entrance, how to own the room, how to work the crowd, and in this nightclub act worthy of bookings in Atlantic City or Las Vegas, she showed off those skills to such an extent that you might find yourself wondering if you heard wrong, if this is really her debut solo act.”

“MCO glorious in glory of love”

“She was marked from birth to be in front of an audience and it showed in every moment”



6. RECOGNITION


Drama Desk Nomination for Outstanding Featured Performance in a Play, Cymbeline, 2025

Faculty Fellow, Wesleyan University’s Embodying Anti-Racism Initiative Faculty Fellow, 2023

Independent Shorts Award for Best Ensemble Cast of Matthew, 2023

New Jersey Film Award for Best Ensemble of Matthew, 2021

Broadway World Nomination for Best Cabaret, The Glory of Love, 2021

Broadway World Nomination for Best Featured Actress in a Musical, Kiss My Aztec, 2019



7. PROFESSIONAL MEMBERSHIPS AND ASSOCIATIONS


Member, Actors’ Equity Association, 2001-Present

Member, SAG-AFTRA, 2013-Present

Associate Artist and Board Member, The Civilians, 2019-2021

Founding Member, Partial Comfort Productions, 2004

Volunteer/Performer, 52nd Street Project, 2007-2019

Member, The Actors’ Center Workshop Company, 2016-Present



8. TEACHING


Curricula: 

Inside the (Virtual) Actors’ Studio - Academics - Video at Wesleyan

Maria-Christina Oliveras: Acting I and Acting II - Academics - Video at Wesleyan


8.1 Courses Taught and Class Visits


8.1.1 Courses Taught at Wesleyan University


Theater Arts

THEA 145, Clash of the Titans FYS*, Summer 2023, Summer 2024, Summer 2025

THEA 235, Acting I, Spring 2020, 2021-2022, Fall 2023, Spring 2024, Fall 2024,

Spring 2025

THEA 285, Acting II, Fall 2019, 2020, 2021

THEA 285, Acting II Intensive: It’s All Greek To Me, Spring 2023

THEA 385Z, The Working Actor*, Winter 2020, Spring 2022, Spring 2024

THEA 386, Musical Theater Performance*, Fall 2023, Fall 2024

THEA 485, Acting for the Camera, Winter 2021, Spring 2023, Spring 2025


Tutorials

THEA 491/492, Teaching Apprentice Tutorials, 2020-Fall 2024

THEA 409/410, Senior Thesis/Capstone, 2019-Present

THEA 329, Technical Theater Practice, Spring 2023

THEA 427/28, Performance Practice, 2023

THEA 401, Tutorial, Writing an Original Musical, Fall 2023

THEA 430, Performance Practice Senior Project, Fall 2023


8.1.2 Courses Taught at Other Universities


Yale University

MUSI 228, Musical Theater Performance, Spring 2021, Fall 2021

THEA 210, Acting, 2014


Fordham University

THEA 210, Acting I for Majors, 2014-2015

THEA 110, Introduction to Acting for Non-Majors, 2015-2019

THEA 435, Acting for the Camera, 2016

THEA 410, Senior Industry Showcase, 2019


University of Colorado-Boulder

THEA 110, Invitation to Theater, 2007


8.1.3 Class Visits to Other Universities


“Art and Activism," Harvard University, 2021


Musical Theater Scene Study, Montclair State University, 2020


“Acting for the Camera: The Transition from Stage to Film," Kenyon University, 2020


“Latinos in Theater," Yale University, La Casa Cultural, 2018


“The Actor Gets Started: A Primer for the first 6 months out of College," Yale University, Office of Career Services, 2015-2019


“The Actor Gets Started: Transitioning into the Professional World," Princeton University, 2018-2020


“Collaboration and New Work Development," New York University, 2019



8.2 Academic Advising/Mentorship


8.2.1 Departmental Productions


Intimacy Consultant

The Government Inspector by Nikolai Gogol, a thesis production directed by Tabitha Davidson ’25, Spring 2025


Voice and Acting Consultant

The Game of Love and Chance, a thesis production directed by Sophia Flynn ‘25, Fall 2024


Intimacy, Voice and Acting Consultant for Thesis Advisee, Bailee Gull ‘24

Wolf Crush by Hagen-Brice Walker, directed by Professor Alex Keegan, Fall 2023


Voice and Acting Consultant

Phoebe in Winter by Jen Silverman, a thesis production by Ava Grob ‘20, Spring 2020


Advisor

Sweat by Lynn Nottage, a student production in Spring 2020 (production subsequently canceled due to Co-Vid)



8.2.2 Senior Capstones and Theses, Tutor


 Lincoln Turner ‘25

Actor in Production: Of Government by Agnes Borinksy, directed by Professor Katie Pearl, CFA Theater, Fall 2024


Kiera Moran ‘24

Actor/Writer in Original Production:  Likewise written and performed by Kiera Moran, directed by Bannon Brody ‘24, Wesleyan Theater Studio, Fall 2023


Bailee Gull ‘24

Actor in Production: Wolfcrush by Hagen-Brice Walker, directed by Professor Alex Keegan, CFA Theater, Fall 2023


Abby Meyers ‘22

Actor/Writer in Original Production: To Play Or Not To Play written and performed by Abby Meyers, directed by Akash Bhide ‘22, Wesleyan Theater Studio, Fall 2022


Milton Espinosa ‘21

Actor in Production: Oedipus Del Rey by Luis Alfaro, directed by Professor Katie Pearl, CFA Theater, Fall 2021


8.2.3 Senior Theses, Reader


Sophia Flynn, 2025

Essay: Triangulation, A Bridge Across Time: Methods of Directing Classic Theater

Production: The Game of Love and Chance by Pierre de Marivaux, at the Patricelli ‘92


Echo Shen, 2024

Essay: Tragedy in Chinese Spoken Drama: The Collision Between Western Thoughts and

Domestic Culture During New Culture Movement


Lila Poppel, 2024

Essay: Theater Without Production: Celebrating the Psychological Benefits of

Theatermaking 


Isabelle Chirls, 2023

Essay: Make the Roof Cave In:Writing Queer Experience on the Page and the Stage


Anna Buchmueller, 2022

Essay:  Theater Cannot be a Monologue: Interrogating the Lack of

Ideological Diversity in the American Theater

Production: Heroes of the 4th Turning by Will Arbery, at the Patricelli ‘92


Nathan Mullen, 2020

Essay: Pájaros en la Boca 


Nika Litt, 2020

Essay: Many a New Day: The Uncanny in Reproductions of Oklahoma



8.2.4  Independent Tutorials


THEA 402: Kiera Moran, Spring 2024

Transitioning into the Professional World


THEA 401: Maggie Monighan, 2024

Creating an Original Musical: Not Really Strangers


GLS Student, John Degon, Spring-Winter 2020

Acting & Auditioning


8.2.5 Faculty-Student Research Internship


Malaika Fernandes (‘23), Summer Dramaturg/Assistant

Sasha Estime (‘27) Summer Dramaturg/Assistant


8.2.6  Independent Student Coachings and Mentorship


Coordinator of Wesleyan NYC Alumni Events for mentees including attendance at Malaiaka Fernandes’ (‘23) public reading of Mulaqat at The Playwrights Realm, NYC, NY, April 2025


Mentor to Jasmine Donald (‘28) coordinating meetings with partner at Paul Weiss, to further 

support Jasmine’s pursuit of law firm internships


Mentor to actor and Wesleyan Alum and Julliard Graduate, Naomi Okada (’20)


Mentor to Scarlett Long (‘23), coordinating meetings with outside mentor Meiyin Wang, 

Artistic Programming Director at the Perelman Center, NYC.


Teacher of Workshops on Grad School and Life Beyond for Theater Majors, Fall 2019-Spring 2021


Teacher of Audition Workshops-Monologues for Current and Prospective Theater Majors, Summer 2020


Teacher of “Finding and Cultivating Opportunities” Workshop with Students in the Pandemic 

and Beyond, March 2020


Teacher of Individual Coaching for Auditions, 2019-Present


9. COLLEAGUESHIP AND SERVICE


9.1 To the University


9.1.1 Committees


Member, Web Governance Committee, Spring 2025


Member, Committee to Coordinate Second City improv Troupe Visit, Spring 2022


Member, Committee to Coordinate Toshi Reagon Residency, December 2020-2022


Member, Committee convened by Dean Roger Grant to think critically and creatively about how to keep each other safe and comfortable while performing during the upcoming academic year, Summer 2021


9.1.2 Public Programs


Creator, Coordinator and Moderator of "Re-Evaluating the Ground on Which We(s) Stand(s)." Inspired by August Wilson’s 1996 keynote address to the Theater Communications Group, The Ground on Which I Stand, this initiative was a series meant to amplify voices of BIPOC artists and engage the community in conversations about the challenges of BIPOC theater in white spaces. The inaugural event was a three-part series in Fall 2020:


  •  Part I-Dramatic Readings/Conversation: “An Evening with Broadway's Crystal Dickinson (Clybourne Park and You Can’t Take It with You on Broadway; Showtime’s The Chi) and Brandon Dirden” (Martin Luther King, Jr. in All the Way starring Bryan Cranston and Jitney on Broadway; FX’s The Americans; Netflix’s The Get Down). Due to Ma Rainey's Black Bottom's imminent Netflix/HBO release whereby they performed excerpts by Adrienne Kennedy, Alice Childress, Lorraine Hansberry, and Dominique Morriseau.  These excerpts served as anchoring points to engage the Wesleyan community in direct conversation with the work, its themes, and its resonance and relevance today, particularly in our efforts to decenter whiteness from our curricula.  

  • Part II-Panel: A conversation with Associate Professor Rashida MacMahon

  • Part III: Master Class conducted by Crystal Dickinson and Brandon Dirden


This series developed into the subsequent annual series, Breaking New Ground, dedicated to hosting BIPOC artists and leaders of excellence for various campus-wide programming including panels, workshops and performances.   


Moderator and Coordinator of Breaking New Ground Series:


Director and Performer in Musical Theater Concert introducing the Musical Theater Performance Class to Board of Trustees, Wesleyan University Board of Trustees Dinner, 2024


Speaker, “Wes Side Story: Bringing Broadway to the Wesleyan Community," Wesleyan University Presidential Luncheon Series, 2024


Moderator and Coordinator of conversation with acclaimed producer and curator, and Producing Director of the Ronald Perelman Performing Arts Center at World Trade Center, Meiyin Wang, November 2021


Volunteer for WesWork’s Forklift, a multi-site, outdoor performance featuring the work, skills, and stories of Wesleyan’s essential workers. Developed through an 18-month residency and a 7-year collaboration with Austin TX-based Forklift Danceworks, WesWorks connected students, staff, and faculty through a community-based dance-making process, October 2021


Director of Performance for Professor Jesse Nasta's course,  “AFAM307: Black Middletown Lives: The Future of Middletown’s African American Past” (re)creating/ (re)interpreting/ (re)imagining texts and performances from concerts (combining songs and recitations) put on by Middletown's African American church in the late 1800s, amping the rich over-looked history and significant contributions of African Americans to the Middletown community,  May 2021


Coordinator in hiring of celebrated cellist, David Blasher to compose and perform original music for a performance with Professor Jesse Nasta’s students in the course,  “AFAM307: Black Middletown Lives: The Future of Middletown’s African American Past,” May 2021


Panelist, Wesleyan University Office of Admissions Faculty of Color Panel.  With Dr. Ishita Mukerji - Professor of Molecular Biology & Biochemistry, Integrative Science & Environmental Studies, Director of CIS , Dr. Anthony (Tony) Hatch - Associate Professor (and Chair) of Science in Society, African American Studies, Env. Studies and Dr. Ying  Jia Tan - Assistant Professor History and East Asian Studies, April 2021


Facilitator of Solidarity Spaces for all via Zoom, leading meditation, and holding space and conversation, specifically centered around anti-AAPI hate/violence, March 2021


Facilitator for student moderators for Cardinal Connections talk with Tommy Kail, March 2021


Coordinator and Moderator of talkback with cast of Long Wharf’s production of The Chinese Lady, with AAPI artists, Jonathan Norman Schneider and Shannon Tyo, and Ma-Yi Theater Company’s Artistic Director, Ralph Pena, who is one of the leaders of the WE SEE YOU WHITE AMERICAN THEATER movement, November 2021


Coordinator with Professor Katherine Brewer Ball, to bring Wesleyan University alum, 

Miranda Haymon ‘16 to direct the Theater Dept. Zoom Production of Pedro Prieti’s The Masses are Asses, April-May 2021


Facilitator Moderator for Cardinal Connections talk with Wesleyan alumna and Managing Director of the Vineyard Theater, Suzanne Appel, December 2020


Moderator for “Unpacking Kristina Wong for Public Office,” talk with Kristina Wong, Doris Duke Award-winning performance artist, actor, writer and comedian, for Center for the Arts, November 2020


Member of Task Force led by Dean Roger Matthew Grant exploring performance practice in light of social distancing and Co-Vid restrictions, March-June 2020


Coordinator and Moderator of conversation with Peter Kim, acclaimed Asian-American activist, writer, actor and producer, who was granted the TCG Rising Leader of Color Grant in 2020, is one of the founders of the Asian American Performing Arts Coalition, and serves as Associate Artistic Director for the National Asian American Theater Company, April 2020


Coordinator with Center for the Arts, Center for Humanities, the African American Studies Department, and Professor Katherine Brewer Ball to host Toshi Reagon for a conversation on the development of her opera adaptation of Parable of the Sower, Spring 2020


Collaborator and moderator for Center for the Arts on campus workshop and performance with award-winning solo performance artist, Nilaja Sun, November 2019


9.2 To the Theater Dept.


Faculty Search Committees

Assistant Professor of the Practice in Stage Management (chair, Katie Pearl), 2025

Assistant Professor of Theater in Voice/Movement (chair, Ronald Jenkins), 2021

Assistant Professor of the Practice in Costume Design (chair, Marcela Oteíza), 2021


Department Liaison to student performing arts groups 

SPARC, Fall 2024-Present

Spike Tape, Fall 2024-Present 

Major Reps, Spring 2020, Fall 2021

SHADES, Wesleyan Theater’s BIPOC Affinity Group, Spring 2020-Present

Second Stage, Spring 2020


Faculty Liaison to Alumni Network and Coordinator of Special Events, 2022-present

Host and Coordinator of Wes Theater Alumni Reunion Fest 2022

Coordinator of Alumni Event Welcoming the Class of 2022

Coordinator of NYC Alumni Event attending Ma-Yi Theater Company’s production of  Once Upon a Korean Time, produced by Wesleyan Alum, Scott Schneider ‘87, August 2022


Faculty Liaison spearheading nomination of Beronica Guerrero-Canguí for the Morgenstern Employee Award, April 2025


Department Liaison between Pamela Grande, Associate Director for Career Advising of the Gordon Career Center and Theater Department, facilitating alumni talks, industry guests, student moderators, and development panels, Spring 2021 – Present


Facilitator with Professor Lauren Yeoman to host a Breaking New Ground performance and workshop by Kimyee Corwin and celebrated violinist, Jane Chung, April 2025


Facilitator/Faculty Liaison for Breaking New Ground, a fund which was established from the umbrella series, The Ground On Which We(s) Stands which I spearheaded and developed with The Theater Dept. in Fall 2020, 2019-Present


Casting Consultant for Professor Joshua Lubin-Levy, Director of the  Center for the Arts, for Anna Deveare Smith’s year-long artist residency,  August-October 2024


Coordinator of Resume/CV Workshops conducted by Theater Dept Faculty, Spring 2024, Spring 2025


Producer, Creator and Director of a public performance and featuring the Musical Theater Performance Class, December 2024


Speaker, Meet the Makers: Career Conversation with Maria-Christina Oliveras, February 2024


Speaker, Spike Tape Musical Theater Career Roundtable, October 2024


Moderator of Theater Dept. Panel on Summer Opportunities in Theater, February 2024


Faculty Advisor to guest Visiting Assistant Professor of Acting, Erin Gorski, Spring 2024


Advisor of The Elephant Is Very Like by Ankita Raturi, a workshop and staged reading featuring Wesleyan students and produced by Wesleyan alumni in collaboration with the Center for the Arts, Spring 2024


Coordinator of Grad school round table/discussion, 2019-Present


Producer, Creator and Director of Cabaret Night, a public performance and featuring the inaugural Musical Theater Performance Class, Fall 2023


Producer and Director of a staged reading of Professor Edwin Sanchez’s new play, Lottery Boy, featuring Wesleyan students, Fall 2023


Coordinator of supplemental skills building workshops including auditioning, musical theater dance, and vocal performance for student productions, Fall 2023


Facilitator and Moderator of Zoom conversation with Wesleyan Alum Sivan Battat, Fall 2023


Coordinator of talkbacks with casts of  Yale Rep, Hartford Stage and Goodspeed, Fall 2023-Present


Faculty Liaison for student internships with  Goodspeed Opera House, Fall 2023


Contributor to External Review, spearheading the Acting Curriculum of Theater Dept, 2021


Coordinator with Professor Ronald Jenkins on chartering the Wes in NYC program, and secured internships with Stewart Talent, The Civilians, the Vineyard, Live-In-Color and The Playwrights’ Realm. Program halted due to Co-Vid, November 2019-February 2020


Committee Member for selection process and Subsequent Advisor for the Wesleyan students selected for the JMF Writers’ Colony of the Goodspeed Opera, Spring 2020


Coordinator with Center for the Arts to host Welker White and Damian Young conducting a workshop of THE MOVING FRAME for my Working Actor class, April 2020


Speaker of the Theater Dept. for WesVising Platform, Spring 2020


Lead Contributor/Coordinator of Departmental Conversation on crafting our Anti-Racist statement, and subsequently drafted statement with Professor Katie Pearl, Spring 2020


Moderator of Roundtable Conversation with Obie-award winning costume and set designer,  Machine Dazzle, Fall 2019


9.3 To the Field


Member of Selection Committee for New Candidates for The Actors’ Center, Spring 2025


Performer at The Civilians benefit, honoring Stephen Trask, the award-winning composer and lyricist of Hedwig and the Angry Inch, Spring 2025


Guest artist for Broadway Workshop and YWCA Of Westchester—A female-empowerment workshop: the Y focuses primarily on creating programming for marginalized communities that center on femme empowerment, Spring 2025


Guest artist for Hunter High School students attending Cymbeline, Spring 2025


Mentor for young artists through the Actor’s Center Mentorship Program, 2024-2025


Coordinator and Host of The Actor’s Center year-end party to facilitate collaborations among artists and build relationships among the company, June 2024


Actor in benefit reading of a play, OUR HOOD by John Leguizamo, to fundraise for educational and artistic programming at Center at West Park, May 2024


Host and Auctioneer for Hartford Stage’s annual gala fundraiser, “Diamonds are Forever,” featuring Tony-Award winner, Andre DeShields, in support of educational and artistic programming, May 2024


Member of the newly-founded Asian American Theater Artists Collective to uplift AAPI theater-makers, January 2024


Singer at the Benefit for The Lucid Body Theater Studio, December 2023


Member of The Actors’ Center, serving as a reader for fellow actors, coach, and producer of many events and classes, 2023


Panelist for multiple talkbacks with communities in cities across the U.S. and Canada for the Broadway National Tour of Hadestown, Spring-Summer 2023


Panelist for Broadway’s Between Riverside and Crazy Talkbacks with the Community, Winter 2023


Panelist for Hartford Stage and Kiss My Aztec!  Talkbacks with the Community, Spring/Summer 2022


Recommender for Patrick Mulryan for Voice/Movement Tenure Track Positions at The Juilliard School, Brown University and Brooklyn College, Spring 2022


Performer at The Civilians benefit, honoring co-founder of NAATCO Mia Katigbak and Obie Award-winning director Les Waters, Spring 2022


Producer and Actor in Sparks’ Mount Sinai Medical Documentary Series, educating and empowering young parents with newborns, Fall 2021-Winter 2022


Panelist for Yale University’s Fridays @ Five Panel, “Reimagining the American Theatre” with Tony-Award winning costume designer, Clint Ramos, Obie Award Winner and Pulitzer Prize nominee Eisa Davis, and Artistic Director of Baltimore Center Stage and founder of Artists Anti-Racism Coalition Stephanie Ybarra, Fall 2021


Coordinator/Moderator for Yale University’s Fridays @ Five Panel, “Asian American Pacific Islander Artists’ in Predominantly White Institutions.” November 2021


Acting/Self-Tape Coach for The Actors’ Center, a collective of professional working actors including Tony Award winner, Tonya Pinkins, Judy Kuhn, Linda Powell and Malcolm Getts, 2021-Present


External Reviewer for Anton Dudley for Tenure as Associate Professor at Kenyon College.  November 2021


Producer of ZOOM presentation of Duchess Carpathia by Anton Dudley, April 2021


Adjudicator for 2021 Princess Grace Award at New Dramatists, Spring 2021


Adjudicator for Ancram Opera House’s Summer Series 2021


Board Member for The Civilians, original creators and producer of Mr. Burns: A Post Electric Play, Fall 2019-Spring 2021


Guest host of Live in Color’s BE OUR GUEST series, interviewing Tony Award winner Ruthie Ann Miles and Grammy award nominee Frances Jue, Winter 2020


Singer for Broadway for Biden Benefit with KISS MY AZTEC!, Fall 2020


Singer for VIVA Broadway Benefit-KISS MY AZTEC!, Fall 2020


Panelist for Broadway Con’s Diversity in the Theaters, 2019-2020


Producer, Actor and Collaborator, with fellow Wesleyan University Professor of the Practice, Edward Torres, on a developmental workshop of Salt, by Migdalia Cruz at New Dramatists in NYC,  April 2020


Artistic Advisory Board member for Live in Color (formerly Bingham Theater Camp), 2017-2019


Panelist, Back to the Future/History Matters, NYC,  2018


Reader, Sundance Institute NYC, 2017-2021


Adjudicator Fordham University Theater Program, NYC, 2017-2021


Mentor for Yale Playwrights’ Festival with fellow Wesleyan professor, Edwin Sanchez, Fall 2019

Curriculum Vitae

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